| |
|
|
BORN
|
| 1952 |
New
York City |
EDUCATION
|
| 1974 |
Yale
University, B.A., Art and Art History |
| |
|
|
| 1973 |
Skowhegan
School of Painting and Sculpture |
SOLO
EXHIBITIONS
|
| 2009 |
The Austin Museum of Art, Austin, Texas |
| |
|
|
| 2008 |
Sonnabend Gallery, New York, NY |
| |
|
|
| 2007 |
The Drawing Room, East Hampton, NY |
| |
|
|
| 2006 |
Galeria
Javier Lopez, Madrid, Spain |
| |
|
|
| 2005 |
George
Eastman House, Rochester, NY |
| |
|
|
|
Sonnabend
Gallery, New York, NY |
| |
|
|
2004 |
Sonnabend
Gallery, New York, NY |
| |
|
|
| |
David
Floria Gallery, Aspen, CO |
| |
|
|
| 2002 |
Sonnabend
Gallery, New York, NY |
| |
|
|
| 1999 |
Edwynn
Houk Gallery, New York, NY |
| |
|
|
| 1997 |
Houk
Friedman Gallery, New York, NY |
| |
|
|
| 1996 |
Glenn
Horowitz, East Hampton, NY |
| |
|
|
| 1994 |
Salander-O’Reilly
Galleries, New York, NY |
| |
|
|
| 1993 |
Salander-O’Reilly
Galleries, New York, NY |
| |
|
|
| 1988 |
The
Corcoran Gallery of Art, Washington DC |
| |
|
|
| 1984 |
Salander-O’Reilly
Galleries, New York, NY |
| |
|
|
| 1981 |
Byck
Gallery, Louisville, KY |
| |
|
|
| 1980 |
Salander-O’Reilly
Galleries, New York, NY |
| |
|
|
| 1979 |
Byck
Gallery, Louisville, KY |
| |
|
|
|
Watson/de
Nagy Gallery, Houston, TX |
| |
|
|
| 1978 |
Tibor
de Nagy Gallery, New York, NY |
| |
|
|
| 1977 |
William
Edward O’Reilly, New York, NY |
| |
|
|
| 1976 |
Tibor
de Nagy Gallery, New York, NY |
GROUP
EXHIBITIONS
|
| 2008 |
Sonnabend Gallery, New York, NY |
| |
|
|
| |
Die Photographische Sammlung/SK Stiftung Kultur, Cologne, Germany |
| |
|
Special Exhibition, Art Cologne |
| |
|
|
| |
Centro Cultural Do Banco Do Brasil, Sao Paulo, Brasil |
| |
|
Brasil des Focus |
| |
|
|
| 2007 |
The Drawing Room, East Hampton, NY |
| |
|
Eyes on the Natural World |
| |
|
|
| |
Sonnabend Gallery, New York, NY |
| |
|
|
| |
Centro
Cultural Do Banco Do Brasil, Rio de Janeiro, Brasil |
| |
|
Brasil
des Focus |
| |
|
|
| |
Collection
Lambert en Avignon, Museum of Contemporary Art, Avignon, France |
| |
|
Il
Faut Rendre À Cézanne |
| |
|
|
| 2006 |
The
International Center of Photography, New York, NY |
| |
|
Ecotopia:
The Second ICP Triennial of Photography and Video |
| |
|
|
| |
The
Philadelphia Museum of Art, Philadelphia, PA |
| |
|
Andrew
Wyeth and the American Landscape Tradition |
| |
|
|
| |
The
Museum of Modern Art, New York, NY |
| |
|
New
Acquisitions |
| |
|
|
| 2005 |
Sonnabend
Gallery, New York, NY |
| |
|
|
| |
Parrish
Art Museum, Southampton, NY |
| |
|
|
| 2004 |
Sammlung
Essl, Vienna, Austria |
| |
|
Visions
of America: Contemporary Art from the Essl Collection
and the Sonnabend Collection, New York |
| |
|
|
| |
Sonnabend
Gallery, New York, NY |
| |
|
|
| |
Etherington
Fine Art, Edgartown, MA |
| |
|
|
| |
Evo
Gallery, Santa Fe, NM |
| |
|
|
| |
West
Main Gallery, Chatham, MA |
| |
|
|
| |
Edward
Tyler Nahem Fine Art, New York, NY |
| |
|
|
| 2003 |
Alice
Austen House Museum, Staten Island, NY |
| |
|
(August
– October 2003) Summer Life |
| |
|
|
| |
Sean
Kelly Gallery, New York, NY (Summer 2003) |
| |
|
Hot
Summer in the City |
| |
|
|
| |
Sonnabend
Gallery, New York, NY |
| |
|
|
| |
Gallery
of the City University of New York Graduate Center |
| |
|
New
York, NY (Feb. 25 – April 5, 2003)
Genomic Issue(s): Art and Science |
| |
|
|
| 2002 |
Santa
Barbara Museum of Art, Santa Barbara, CA (Fall 2002) |
| |
|
Photogenesis:Opus
2 |
| |
|
|
| |
Sonnabend
Gallery, New York, NY |
| |
|
|
| |
The
Gallery at Windsor, Vero Beach, FL |
| |
|
|
| |
The
Tang Museum at Skidmore College, |
| |
|
Saratoga
Springs, NY(June 2002)
Wexner Center for the Arts (Fall 2002)
The Milwaukee Art Museum (Spring 2003)
From Pop to Now: Selections from the Sonnabend Collection |
| |
|
|
| |
Whitney
Museum of American Art, New York, NY (June - Sept. 2002) |
| |
|
Visions
from America: Photographs from the
Whitney Museum of American Art |
| |
|
|
| |
Winston
Wachter Mayer Fine Art, New York, NY (July - Aug. 2002) |
| |
|
The
Blurred Image: 19th – 21st Century Photography |
| |
|
|
| 2001 |
Sonnabend
Gallery, New York, NY |
| |
|
|
| |
Kennedy
- Boesky Photographs, New York, NY |
| |
|
|
| 1999 |
Guild
Hall Art Museum, East Hampton, NY |
| |
|
Souvenirs:
Collecting, Memory, and Material Culture |
| |
|
|
| |
San
José Museum of Art, San Jose, CA |
| |
|
In collaboration
with the Whitney Museum of American Art
Surroundings: Responses to the American Landscape |
| |
|
|
| |
Colby
College Art Museum, Waterville, ME, Recent Acquisitions |
| |
|
|
| 1998 |
International
Center of Photography, New York, NY |
| |
|
Recent
Acquisitions |
| |
|
|
| |
Guild
Hall Art Museum, East Hampton, NY |
| |
|
East
Hampton Artists: Seen and Scene |
| |
|
|
| |
Centro
Cultural de Belém: Expo ’98, Lisbon, Portugal, Waterproof |
| |
|
|
| 1997 |
Musée
National De La Coopération Franco-Américaine, France |
| |
|
|
| |
Hamiltons, London, England, Water |
| |
|
|
| 1995 |
Renee
Foutouhi Gallery, East Hampton, NY |
| |
|
Something
Old, Something New: Contemporary
Artists Reflect on the Past |
| |
|
|
| |
Lizan-Tops
Gallery, East Hampton, NY, Light and Shadow |
| |
|
|
| |
Glenn
Horowitz, East Hampton, NY, Selections |
| |
|
|
| 1994 |
Salander-O’Reilly
Galleries, New York, NY |
| |
|
|
| 1991 |
Salander-O’Reilly
Galleries, Berlin, Germany |
| |
|
|
| |
Salander-O’Reilly
Galleries, Los Angeles, CA |
| |
|
|
| 1988 |
The
Metropolitan Museum of Art, New York, NY |
| |
|
The
1980’s: A New Generation |
| |
|
|
| |
Williams
College of Art, Williamstown, MA, Big/Little Sculpture |
| |
|
|
| |
Plymouth
State College of Art, Plymouth, NH |
| |
|
|
| |
Middlebury
College, Johnson Gallery, Middlebury, VT |
| |
|
|
| |
St.
Paul’s School Art Center, Concord, NH |
| |
|
|
| 1986 |
Yale
School of Art, New Haven, CT, Twelve in New York |
| |
|
|
| 1984 |
National
Academy of Design, New York, NY, Annual Exhibition |
| |
|
|
| |
Tallix
Foundry Exhibit, New York, NY, Art Expo |
| |
|
|
| 1982 |
Salander-O’Reilly
Galleries, New York, NY |
| |
|
|
| |
Martha
White Gallery, Louisville, KY, Color II |
| |
|
|
| |
Sarah
Rentschler Gallery, Bridgehampton, NY |
| |
|
|
| 1981 |
The
Institute for Art & Urban Resources, PS1, New York, NY |
| |
|
Figuratively
Sculpting |
| |
|
|
| |
Salander-O’Reilly
Galleries, New York, NY |
| |
|
|
| 1980 |
Salander-O’Reilly
Galleries, New York, NY, Inaugural Exhibition |
| |
|
|
| |
Tibor
de Nagy Gallery, New York, NY, Monotypes |
| |
|
|
| 1979 |
Salander-O’Reilly
Galleries, New York, NY, Works on Paper |
| |
|
|
| |
William
Edward O’Reilly, New York, NY |
| |
|
|
| 1978 |
American
Academy and Institute of Arts and Letters, New York, NY |
| |
|
Exhibition
of Candidates for Awards |
| |
|
|
| |
American
Academy and Institute of Arts and Letters, New York, NY |
| |
|
Exhibition
of Award Winners |
| |
|
|
| |
Acquavella
Gallery, New York, NY, Five Painters |
| |
|
|
| 1977 |
Kennedy
Galleries, New York, NY, Artists Salute Skowhegan |
| |
|
|
| |
American
Academy and Institute of Arts and Letters, New York, NY |
| |
|
Exhibition
of Candidates for Awards |
| |
|
|
| 1976 |
Nassau
Community College, Long Island, NY |
| |
|
Invitational
Sculpture Exhibition |
SELECTED
COLLECTIONS
|
| |
The
Albright–Knox Art Gallery |
| |
|
|
| |
Anderson,
Clayton and Company |
| |
|
|
| |
Bear,
Stearns & Co. Inc. |
| |
|
|
| |
Cleary,
Gottlieb, Steen and Hamilton |
| |
|
|
| |
The
Corcoran Gallery of Art |
| |
|
|
| |
The
J. Paul Getty Museum |
| |
|
|
| |
Gold,
Farrell and Marks |
| |
|
|
| |
Solomon
R. Guggenheim Museum |
| |
|
|
| |
Guild
Hall Museum |
| |
|
|
| |
Highland
Resources, Inc. |
| |
|
|
| |
Houston
Grand Hotel |
| |
|
|
| |
Houston
Industries |
| |
|
|
| |
The
International Center of Photography |
| |
|
|
| |
The
Metropolitan Museum of Art |
| |
|
|
| |
Museum
of Fine Arts, Houston |
| |
|
|
| |
The
Museum of Modern Art |
| |
|
|
| |
Parrish
Art Museum |
| |
|
|
| |
Prudential
Insurance Company |
| |
|
|
| |
Ritz-Carlton
Hotel, NY |
| |
|
|
| |
Rose
Art Museum, Brandeis University |
| |
|
|
| |
J.B.
Speed Art Museum |
| |
|
|
| |
Bank
of Tokyo |
| |
|
|
| |
Wadsworth
Atheneum |
| |
|
|
| |
Whitney
Museum of American Art |
| |
|
|
| |
Yale
University Art Gallery |
AWARDS
AND GRANTS
|
| 2006 |
National
Geographic Society Grant, Brazil, Pantanal Expedition |
| |
|
|
| |
GSA
Commission for U.S. Federal Courthouse, Austin, TX |
| |
|
|
| 2004 |
U.S.
Patent 6,795,648 for the R1 High-Resolution Camera System |
| |
|
|
| |
Digital
Innovator Award, American Photo Magazine |
| |
|
|
| 1997 |
Commission
for Roger Williams Hotel, N.Y.C., |
| |
|
Rafael
Viñoly, architect |
| |
|
|
| 1984 |
Helen
Foster Barnett Prize, National Academy of Design |
| |
|
|
| 1979 |
Commission
for Gateway Towers Lobby, |
| |
|
Gateway
Center, Pittsburgh, PA |
| |
|
|
| 1978 |
Richard
and Hinda Rosenthal Award, |
| |
|
American
Academy & Institute of Arts and Letters |
| |
|
|
| 1974 |
A.
Conger Goodyear Fine Arts Award, Yale University |
PUBLISHED
WORKS
|
| 2005 |
Mountain
IV, Dialogue between Clifford Ross and Walter Salles, |
| |
|
(Blind
Spot Magazine, November 2005) (8 ill.) link |
| |
|
|
| |
Big,
Bigger, Biggest: Inventing Systems for Immense Digital Images |
| |
|
(and
Beyond), (Big Picture Summit, 2005),
Co-author with David Rogers, Carl Diegert, Michael Hawley,
Bran Ferren and Eric Rosenthal link |
| |
|
|
| |
Wave
Music, Introduction by Arthur C. Danto, |
| |
|
Interview
by A.M. Holmes, (Blind Spot/Aperture) link |
| |
|
|
| 2003 |
Wave
Music, (BOMB Magazine, Fall 2003) |
| |
|
|
| 2002 |
On
September 11, (BOMB Magazine, Spring 2002) |
| |
|
|
| 1999 |
Laurie
Anderson, Interview with Clifford Ross, |
| |
|
(BOMB
Magazine Fall 1999) |
| |
|
|
| 1996 |
The
World of Edward Gorey, (Abrams), Co-author with Karen Willkin |
| |
|
|
| 1990 |
Abstract
Expressionism: Creators and Critics, (Abrams), Editor |
| |
|
|
| 1974 |
Phantasmagorey:
The Work of Edward Gorey, |
| |
|
(Yale
University Press) |
LECTURES
AND PRESENTATIONS
|
| 2008 |
Pixels and Glue |
| |
|
NYU /Interactive Telecommunications Program, New York, NY |
| |
|
|
| |
Realism and Imagination |
| |
|
New York Studio School, New York, NY |
| |
|
|
| |
Art Cologne: Special Exhibition, Die Photographische Sammlung |
| |
|
SK Stiftung Kultur, Cologne, Germany |
| |
|
|
| |
Visiting Artist / Thesis Advisor |
| |
|
School of Visual Arts / MFA Photography, New York, NY |
| |
|
|
| 2007 |
Mountain Redux: The Reality Quotient vs. The Ecstatic Truth |
| |
|
NYU /Interactive Telecommunications Program, New York, NY |
| |
|
|
| |
Mountain Redux: The Reality Quotient vs. The Ecstatic Truth |
| |
|
Princeton University, Princeton, NJ |
| |
|
|
| |
The Big Picture, Chairman's Circle Salon |
| |
|
Central Park Conservancy, New York, NY |
| |
|
|
| |
The Big Picture: The New i3 Display Architecture & Technology |
| |
|
iCI New York Studio Events, New York, NY |
| |
|
|
| 2006 |
Finding
the Longitude: The Art of Invention / The Invention of Art, |
| |
|
International
Center of Photography, New York, NY |
| |
|
|
| |
Finding
the Longitude: The Art of Invention / The Invention of Art, |
| |
|
George
Eastman House, Rochester, NY |
| |
|
|
| |
Finding
the Longitude: The Art of Invention / The Invention of Art, |
| |
|
NYU
/ Tisch School of the Arts / Interactive Telecommunications |
| |
|
Program,
New York, NY |
| |
|
|
| |
Finding
the Longitude: The Art of Invention / The Invention of Art, |
| |
|
Pop!Tech,
Camden, ME |
| |
|
|
| |
The
New i3 Media & Digital Cyclorama, |
| |
|
Big
Picture Summit 3, National Geographic Society, Washington, DC |
| |
|
|
| |
The
New i3 Media & Technology, |
| |
|
USC
/ School of Cinema-Television, Los Angeles, CA |
| |
|
|
| |
Information,
Immersion, and Interactivity: i3 Media and the |
| |
|
R1
High-Resolution Camera, MITRE Corporation, McLean, Virginia |
| |
|
|
| |
The
New i3 media & Digital Cyclorama, |
| |
|
Getty
Research Institute, Los Angeles, CA |
| |
|
|
| |
The
Big Picture: The New i3 Display Architecture & Technology, |
| |
|
TTI/Vanguard,
Crossover Technologies, Pasadena, CA |
| |
|
|
| 2005 |
To
Tell the Truth, NYU / Tisch School of the Arts / Interactive, |
| |
|
Telecommunications
Program, New York, NY |
| |
|
|
| |
Hurricanes
to Mountains: From Silver Gelatin to the Digital Future, |
| |
|
Yale
University, School of the Arts, New Haven, CT |
| |
|
|
| |
Hurricanes
to Mountains: From Silver Gelatin to the Digital Future, |
| |
|
Parrish
Art Museum, Southhampton, NY |
| |
|
|
| |
Coloramas
of the Future: Trailblazing Across the Analog |
| |
|
Digital
Divide, Kodak, Rochester, NY |
| |
|
|
| |
Hurricanes
to Mountains: From Silver Gelatin to the Digital Future, |
| |
|
George
Eastman House, Rochester, NY |
SELECTED
BIBLIOGRAPHY
|
| 2008 |
Kuan, Debora. "Clifford Ross." Art in America |
| |
|
October 2008 link |
| |
|
|
| 2007 |
O'Reilly,
Brendan. "Artist Sees New Mother of Intervention." The Southampton Press |
| |
|
July 5,
2007: p. B3 (ill) |
| |
|
|
| 2006 |
Gopnik,
Blake. "The Telling Nature of Photography: 'Ecotopia Frames a Wondrous |
| |
|
but Wounded Environment." Washington Post |
| |
|
November 5,
2006: p. N06 (ill) link |
| |
|
|
| |
"The
Arts: Photography Review." The New York Times |
| |
|
September
13, 2006: p. E1 |
| |
|
|
| |
"Kamenetz,
Anya. "Pop! Till You Drop." Fast Company |
| |
|
November
2006: p. 104-109 (ill) |
| |
|
|
| |
"The
Arts: Photography Review." The New York Times |
| |
|
September
13, 2006: p. E1 |
| |
|
|
| |
McBride,
Sarah. “Return of the Cyclorama: A 19th-Century Idea with a |
| |
|
Digital
Twist Would Immerse Viewers in Intricately Detailed Images.” |
| |
|
The
Wall Street Journal September 11, 2006: p. R12 (ill) |
| |
|
|
| |
Paumgarten,
Nick. "Bad-Ass Camera." The New Yorker |
| |
|
August
21, 2006: p. 25-26 (ill) link |
| |
|
|
| |
Meyers,
William. "Framing the Wild: Photography." The
New York Sun |
| |
|
August
3, 2006: p. 18 (ill) |
| |
|
|
| |
"The
Big Picture: New i3 Display Architecture and Technology." |
| |
|
Crossover
Technology Summary, TTI/Vangard |
| |
|
February
2006: p. 45-47 (2 ill.) |
| |
|
|
| 2005 |
"Weekend Arts: Art in Review." The New York Times |
| |
|
December
16, 2005: p.E 35 |
| |
|
|
| |
"Photographer
Sees The Big Picture." CBS Evening News |
| |
|
August
25, 2005 link:
Broadcast | link:
Extended Interview |
| |
|
|
| |
"Word
of Mouth." Conde Nast Traveler July 2005: p. 34
(4. ill) |
| |
|
|
| |
Lovell,
Margaret. "So How Sharp is Sharp? |
| |
|
Would
You Believe a Billion Pixels?" |
| |
|
TechCom June-July 2005: p.22 (ill) link |
| |
|
|
| |